for Artists and Inventors, by Ken Rinaldo, Parallax Press, in process fall,
Robots, Production LIlle 2004 by Richard Castelli and Tom Verswijvel, 2004
Digital Art by Christiane Paul, 2004.
Tropico Novo Mundo interview with Ken Rinaldo” e a computação emocional O ciberartista defende interação com as máquinas que não sejam puramente lógicas By Roberta Alvarenga, March 24, 2004.
Itau electronic magazine Cibercultura videoarte em transe article discussed my work by Jorge La Ferla, March, 20, 2004.
Artweek, review of Postflesh at Sacramento State University by David Roth, April 2003.
The Sacramento Bee, Merging with Machines: review of Postflesh at Sacramento State University by Victoria Dalkey, Feb 2003.
Eyewitness Guide Robot, by Roger Bridgman, Publisher: Dorling Kindersley, International multi-language release, (in print 2004)
Read Me; New Media Net Culture, Article robotic art by Ilaria Mignatti April 3, 2003
La Voix Du Nord, On vous en a parle: ca y est, ils arrivent, Review of Exit Festival by Aurore Dugue, March 20th 2003
Le Monde: Les Robots, ou L'histoire de l'art revue par les puces, review of Exit Festival, by Harry Bellet, March 2003
The Charleston Daily: Robots art Focus of Talk by DB Shawver, March 27th 2003
MetaCreation: Art and Artificial Life by Mitchell Whitelaw, MIT Press, 2003
Digital Art by Christiane Paul, curator New Media Arts Whitney Museum published by Thames and Hudson Spring 2003
RealTime, FutureScreen 02: Reviews of the Biennial of Electronic Arts Perth Australia by Melinda Rackman and Ian Haig
The Daily, University of Washington, Tasting the life of an academic by Kathleen Belew 10/02/2002
The Catalog of the Future by Que books with an article The future of art by Polly Harold, 2003
The West Australian, review of Biennial of Electronic Arts, pg. 13 by Nelville Weston
Calagary News and Intertainment: Review of Sentient Circuitry by Jennifer McVeigh, July 4, 2002
Horizon, Magazine, Canada, 2002
Mix Magazine 28.2 Canada: Review of Sentient Circuitry pg 13
Contemporary, review of Autopoiesis as part Transmediale Berlin, pg 102, 3 - 2002
NZZ Online, by Alex Bänninger review of Ars Electronica Cyberarts Friday, 15 November 2002
Artz in the Net Italy, Entrevista a Kenneth Rinaldo (us), Autopoiesis interview by Alba Colombo
Artz in the Net Italy crítica ::online:: de las nuevas prácticas review of Transmediale by by Alba Colombo
Loewe Review of Autopoiesis as part of Transmdiale Berlin, 2.2.02
Rhizome, review of Autopoiesis as part Transmediale Berlin 3.3.2002
Happytoe.com review of Autopoiesis as part Transmediale Berlin
Convergence; The Journal of Research into New Media Technologies, Review Autopoiesis Ars Electronica ,Michael Punt, 2001
Politik un Digital, review of Autopoiesis as part Transmediale Berlin, 1-17- 2002
taz Berlin locally No. 6670 of 7.2.2002, review of Transmediale Berlin, by SEBASTIAN HANDKE
Blitz Review review of Autopoiesis as part Transmediale Berlin, by Christoph Blase 2-24- 2002
System vs. Field: Emergence and Interpretation of Interactive Art Experiences by Machiko Kusahara
MyTech News, review of Autopoiesis as part Transmediale Berlin, by di Alessandro Ludovico
Badische and Zeitung, review of Autopoiesis as part Transmediale Berlin, Feb 2002
Neural Online, review of Autopoiesis as part Transmediale Berlin, Feb 2002
Teleopolis Germany, review of Autopoiesis as part Transmediale Berlin by Vali Djordjevic, Feb 2002
Stern Germany, review of Autopoiesis as part Transmediale Berlin, Feb 2002
Berliner Morganpost, review of Autopoiesis as part Transmediale Berlin, Feb 2002
Spiegal Germany, review of Autopoiesis as part Transmediale Berlin, Feb 2002
The Exploratorium Quarterly Autopoiesis as part of artlcle on Robotics, Jan 2002
Dayton Daily News review of Spider Haus and Autopoiesis by Terry Morris, Dec 2001
Art Press 273, Paris, Review of Autopoiesis at Ars Electronica 2001 Annick Bureaud
Tema celeste contemporary Art, Italy, Review of Autopoiesis at Ars Electronica 2001 by Daniele Perra
The Columbus Dispatch, Review of Standby Deliver by Chris Yates, Nov 19 2001
Culture Works, The living Arts, Fall 2001 Spider Haus Firefly Gallery
INFORMATION ARTS: Intersections of Art Science and Technology, Dr Steve Wilson Fall, 2001
New York Arts Magazine Calling on the Art of the Future by Ck Kuebl Review of Ars Electronica Cyberarts 2001
New York Arts Magazine Ars Electronica 2001, TAKEOVER review of Cyberarts show, 2001
YLEM Number 8, Vol 21 September/October 2001 Newsletter pg. 7& 8
CIRCA 98 , 2001 Review of Ars Electronica Austrial. 2001 pg 62-63
ARTBYTE, NY, Review of Autopoieis at Ars Electronica by Claire Barlient, 2001
' Magazine #98, Ireland, Review of Autopoieis at Ars Electronica Winter 2001, pp. 62-63 by Paul O'Brien
Dominca, Autopoieis at Ars Electronica, Domenica, Creatività sconfinata, di Chiara Somajni, 2001
Infinite Matrix review of my web site by Bruce Sterling 2001
NZZ Online, by Alex Bänninger review of Ars Electronica Cyberarts 2001
Telepolis, Kunst + Kommerz = Konfusion? Review of Ars Electronica Cyberarts 2001
Object Space and Meaning by Steve Leucking, pg. TBA Prentice Hall, Oct 2001
ARTBYTE, NY, Review and interview about digital art and digital art programs, 2001
Nouvel Objet VI, Seoul Korea, Mixing Techno with Eco by Amy Youngs discussion of Mediated Encounters, June 2001
onCampus Columbus, Columbus, Ohio, Art comes to life under Rinaldo's direction, by Susan Wittstock, June 7, 2001
ARCO Arts Festival Madrid Catalog, Pages 728 & 729 Volume 2, February 2001
Cyberpa@is, review of Avida 3.0 by Roberto Bosco and Sefano Caladana, February 2001
Ubicarte, Review of ARCO Arts Festival Madrid by Ana Marta de Catalina, February 2001
Art News Digital review of Autopoiesis for Arco Arts Festival, 2001
Journal of Visual Art Practice, Article on art/technology collaborations by George Whale, 2001
New Art Examinar Educating for Interaction, By Dan Collins, February 2001
MeArte - Otros artículos - Arte - Review of AVIDA decision, October 17, 2001
book for the electronic arts by Arjen Mulder and Maaike Post, pg 146 2001
La Gaceta, Madrid, Telfonica pemia tres ecultureas interactivas, November 2000
Fundacion Telefonica, El Boletin Arte Expociones, November, 2000
Subterranian Notes arts Magazine, report on Avida 3.0 prize in Madrid Spain, Friday November 24, 2000
Noema Arts, Technologie e Societa, report on Avida 3.0 prize in Madrid Spain
Terra, Arte Articulo, report on Avida 3.0 prize in Madrid Spain, by YA Tiene Ganader, October, 2000.
El Mundo, Diario De Navagante, 2.0, El Arte Fuera de Control, Discussion of Avida 3.0 , October, 2000.
El Punto De Las Artes, Ken Rinaldo gano el premio Vida 3.0 de la fundacion telefonica october, 2000
Diario El Pais, Columbia, El Effecto Shelly, by Carlos Jimenez, October 2000
leonardo, Volume 33, Number 4 pg 260, Standby Deliver for the in:formation show. Leonardo Gallery, 2000
RealTime, FutureScreen 00: getting Alife; Autopoiesis research Mitchel Whitlaw talks with Keith Gallasch October, 2000
Alifevii Conference, Workshop Proceedings; Autopoiesis research. August 7, 2000
Ilta Sanomat, Helsinki Finland, Review of Autopoiesis by Marja-Liisa Kaooakaubeb, Feb, 2000
Switch, Interview conducted by Jan Ekenberg on the Art & Technology Program at The Ohio State University, 2000
The Columbus Dispatch, Columbus Ohio, Review of Digital Art in the New Millenium Curated by Ken Rinaldo, 2000
U-Turn, The Aesthetic use of Machines James R. Huganin, Jan, 2000
Helsingin Sanomat, Helsinki Finland,Review of Autopoiesis by Maarit Piippo, March , 2000
Kaunis Gran, Oatoaly ja zen0aly Kiasmassa, Review of Autopoiesis by Beryl Furman 2, 29, 2000
AAMULEHTI, Helsinki Finland, Review of Autopoiesis by Maila-Kariina Tuominen, May, 2000
Kulturstadt 2000, Helsinki Finland, Review of Autopoiesis , 2000
San Francisco Weekly online Roll over Guttenberg by Todd Dayton, April, 2000
Media-arkeolgia Kirjoittaa moniaanista historiaa, by Erkki Huhtamo, Feb, 2000
Net TIme, Helsinki Finland,Review of Alian Intelligence, by Erkki Huhtamo, Feb 18, 2000
Helsingin Sanomat, Helsinki Finland,Review of Autopoiesis by Timo Paukku, Feb 2, 2000
Gruen Sanomat, Helsinki Finland,Review of Autopoiesis by Beryl Furmam, Feb 6, 2000
Dispatch, Exhibit shows how technology affects tradition, Thursday, February 3, 2000
Artnode, Holland,Technology Recapitulates Phylogeny, 2000
TIEDE 2000, Helsinki Finland,Review of Outoaly- Alien Intelligence, 2000
Dagens Nyheter, Review of Alien Intelligence at the Kiasma Museum in Helsinki, Finland Paper and article in Swedish April, 2000
Myths and Confusions in Thinking about Art/Science/Technology by Steve Wilson College Art Association Meetings, NYC, 2000
Chicago Reader, Review of In::Formation at the School of the Art Institute of Chicago, Betty Rymer Gallery, Feb 11, 2000
CIRCA 90 Art + Technology Supplement, Article on Mediated Encounters, Winter 1999
ARTNET, Victor Cassidy Review of Flickering Signifiers, Oct 1999
IEEE International Conference on Robotics and Automation. Detroit Michigan, USA, May 10-14, 1999
The Chicago Reader. Review of Flickering Signifiers, Oct 1999
New York Arts Magazine. Contributor of Special report on Artificial life art Dec 1998
Tomado de Caderno da Pos Graduação, Instituto de Artes/Unicamp, Universidad Estadual de Campinas, año 2, volumen 2, 1998
Super Sonic: Sonic Circuits put the needle on the Record, by Saiki Difrances & David Jenemann, 1998
The Ukranian Weekly: Review of Delicate Balance and Mediated Encounters, by Anya Antonovych, 1998
Virtualities: Television, Media Art and Cyberculture, by Margaret Morse pg 193
Leonardo Digital Salon Catalog, Leonardo Editor and contributor for Special project on Artificial Life Art, 31:5, 1998
YLEM NEWSLETTER, Andrea Polli writes about Live Live project in Chicago, Nov/Dec, 1998
Leonardo Electronic Almanac, Coverage of Mediated Encounters, November, 1998
ARTNET, Victor Cassidy Review of Genetic Blueprint, Feb, 1998
Leonardo Electronic Almanac, Editor, writer and Special section coordinator for Artificial Life Art, February, 28, 1998
Leonardo Electronic Almanac, Life as We know it and Life as it could be, Eddie Shanken Article on Artificial life, February, 28, 1998
Chicago Sun Times, Review of Genetic Blueprint as part of Substance-Corporeal, NIU Gallery, February 8, 1998
Art Journal, Vol. 56, N. 3, Digital Reflections: The Dialogue of Art & Technology, Johanna Drucker, (ed.), pp. 60-67 CAA, NY, 1997
Chicago Reader, Review of Mediated Encounters, at the Chicago Cultural Center, Oct 10, 1997
Chicago Tribune, Coverage of Mediated Encounters, ISEA show; September 23, 1997
Leonardo Electronic Almanac, Review of Mediated Encounters in F(x) at Chicago Cultural Center September, 1997
Chicago Tribune, International Society of Electronic Arts, Review, September 22, 1997
Chicago Sun Times, International Society of Electronic Arts, September 23, 1997
San Jose Mercury News, ACM SIGGRAPH photodocumentation of Cybersqueeks, Sunday March 2, 1997
Leonardo, Digital Gallery, Integrated Hemispheres, January, 1997
Leonardo, Digital Almanac, November, 1996
San Francisco Bay Guardian, "Critics Choice" for Wavicle Illuminatta, September 1996
Leonardo, Digital Reviews, June 1996
ART Week March, Redemtion Through Rubbernecking Review by Amy Ruddick, January 1996
Mac Home Journal, January 1996
Metro, Mention and critique of Meter Devils Heart, January, 18
San Francisco Bay Guardian, "Critics Choice for Technology Recapitulates Phylogeny, 1995
FineArt Forum Volume 9, Number 1 January 15, 1995
Artweek, November 1994
Switch, The Emergence of A-Life by PD Quick, 1994
Artificial Intelligence Expert, January, 1994
Artweek, Interview and Review, January, 1994
Leonardo, Volume 27 #21, 1994
Wired, Magazine, review on The Flock,June, 1994
Electronic Entertainment, Review of The Flock, May, 1994
Artificial Life, Japan, a collection of writings on A-LIFE, 1994
Artweek, review, of Interactive Art Philosophies and Review of The Flock, 1994
Intercommunication #7, Japan, A Critical Anthology of Interactive Artists, Page on Emergent Systems, The Flock and Cybesqueeks, 1994
IEEE Computer Graphics Magazine, September, 1993
Diablo Arts, Review of The Flock, Fall, 1993
Computer Graphics Visual Proceedings, One page article on The Flock, ACM SIGGRAPH, 1993
Amiga Report, discussion of The Flock, August 20, no 1.21 1993
ID; International Design Magazine, Mention of the Flock at Siggraph, November 1993
Superdesigning #5 Japan, Book on Interactive Art, description and discussion of The Flock, 1993
SOMA magazine, Article on Cybersqueeks, and The Flock, Spring 1992
Montreal Gazzette, review of Cybersqueeks, May 16 1992
Caldecott Broadcast Center Singapore 99.5 FM, a 1/2 hour radio interview with Masraihan Sulaiman on my work and philosophy, 2002
Terra GUM TV interview about Autopoiesis as part of Transmediale 02 Berlin.
Sat 1TV & Radio Germany, interview about Autopoiesis as part of Transmediale 02 Berlin.
National Public Radio, coverage of Autopoiesis as part of INTERSCULPT BIENNALE, Dayton Ohio, 2002.
Japan Broadcasting Corporation, Channel 1, interview about Autopoiesis as part of Ars Electronica, 2001.
Telivixija Slovenia TV and Radio interview about Autopoiesis as part of Ars Electronica, Treffpunkt, Kultur, Channel 2, Austria, 2001.
CyberBang TV, Program on Digital Art, Italy, 2001.
ORF, Austrian Broadcasting Corporatation footage of Autopoiesis, 2001.
Caiga Quien TV, Caiga Spain, coverage of ARCO Spain Installation, 2001.
Canal Plus TV, coverage of ARCO Spain Installation, 2001.
Menudo Magazine TV. Channel 3 Italian TV, 2001.
CNN Europe coverage of ARCO Spain Installation, 2001.
TV2 Spain; La Noticias Cadina TVE Spain, 2001.
VIA Digital coverage of ARCO Spain Installation, 2001.
Channel 3 Finland TV, February 2000.
Channel 1 Sweden TV Reviews of Autopoiesis at the Kiasma Museum in Finland, February 2000.
National Public Radio Soundings review of Intersculpt Biennale and Autopoiesis.
The Know Zone, Special On Robotics; Channel 23 & 44.
Cable Special on Chicago Cultural Center Coverage of F (X) Show.
The Know Zone, Special On Robotics; a syndicated science show on The Discovery Channel, (USA), 1995.
C.Net, KRON TV, a technology show, which covered Delicate Balance the fish sculpture, (USA), 1995.
C.Net, KRON TV, coverage of the CYBERSQUEEKS, 1994.
Really Robots a film by Margarita Boehm and Ayato Mori (USA), 1994,
The Future, CBC Broadcasting, (Canada) a science and technology show which did a special program on The Flock 1994.
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